

Suacompanhia is a São Paulo-based theatre collective founded in 2014, blending original writing, physical precision, and a refined sense of humour to tackle the most urgent, universal questions of our contemporary era.
Led by artistic director Paulo Azevedo, whose distinguished 25-year career spans acclaimed national theatre groups, award-winning productions, and cinematic projects, the collective brings rigorous creative authority to the international stage.
Rooted in cross-disciplinary innovation, Suacompanhia operates as a genre-fluid creative hub, seamlessly navigating theatre, film, visual arts, and podcasts to challenge traditional scenic boundaries and connect genuinely with modern audiences.

SOLO TRILOGY
Three independent, raw, and visually driving companion solos exploring characters caught at a definitive turning point. Formed through years of rigorous investigation, this cross-disciplinary trilogy bridges live performance with music, visual arts, and literature to challenge our modern world.





A comedy drama blending video projections and physical theatre to question fame, isolation, and why we rush through life without ever asking ourselves why.
Why do we admire an artist, and is it worth being a hero?
The Blurb
In the middle of his chaotic life, a rock star stops for an ant at a pedestrian crossing. This micro-moment changes everything. The audience suddenly becomes an intense press conference. Faced with the public, the character is forced to answer questions he never asked himself, genuinely searching for real, raw answers. Inspired by David Bowie, Bob Dylan, and other rock stars of the 60s and 70s, the show explores the deep friction between public myth and private exhaustion.
Teaser (With English Surtitles)
Live Online Session with English Subtitles*
Live Stage Version
*The Pandemic Hibridity Note: Developed as part of our cross-disciplinary research during the global pandemic, features both a live stage version and a cinematic film recorded during live sessions.
TECHNICAL & TOURING SPECS

Language Options: Performed directly in English OR performed in Portuguese with pre-programmed English surtitles.
Genre: Theatre.
Running Time: 60 minutes (No intermission).
Travelling Team: 4 people (1 Performer/Director, 1 Technical Director/Stage Manager, 1 Company Manager, and 1 Sound Operator).
Venue Compatibility: Designed for standard proscenium stages, black boxes, and flexible alternative spaces.
Freight & Set: Zero heavy international freight. The stage design is simple and can be fully produced or sourced locally by the host venue. All wardrobe and minor props fit within standard airline checked luggage.
Local sourcing requirements: 1 chair, 1 small side table, 1 bottle and 1 glass, 2 screens for video projections, 2 projectors, and 1 microphone with a stand.
Sound & Light: Host venue to provide a standard PA system for the soundtrack and a basic, warm lighting rig (detailed plot provided in the full rider).
For international booking, touring enquiries, and full technical riders, please contact us directly:
Contact & Booking
E-mail: suacompanhiateatro@gmail.com
Telephone / WhatsApp: +55 11 987726606

.png)
An immersive and dystopian solo performance exploring the boundaries of art, memory, and political resistance.
What happens when the state abruptly silences art and memory?
The Blurb
Set in a distant future, the guide of the very last museum in a fictional country invites a group of people—the audience—to break into the building. They intend to rescue the artwork, but the collection is already gone. Facing an empty space, the guide is forced to recreate the entire museum using only their raw memories, converting this clandestine tour into a battleground for political resistance. The show reflects deeply on the vital importance of art and spaces of sensitivity as acts of resistance for a country's identity and its very survival. It functions as a sharp, memory-driven dystopian drama where the audience ceases to be passive observers and becomes a true partner of the scene.
Teaser
Live Cinematic Film Version*
*The Pandemic Hibridity Note: Developed as part of our cross-disciplinary research during the global pandemic, features a cinematic film recorded.
TECHNICAL & TOURING SPECS

Language Options: Performed directly in English OR performed in Portuguese with pre-programmed English surtitles.
Genre: Theatre.
Running Time: 70 minutes (No intermission).
Travelling Team: 4 people (1 Performer/Director, 1 Technical Director/Stage Manager, 1 Company Manager, and 1 Sound Operator).
Venue Compatibility: Site-specific production uniquely designed and adaptable for art galleries, museums, historical buildings, and alternative architectural spaces (no traditional theatre stage required).
Freight & Set: The stage design is minimal and relies on the existing architecture of the host venue. All wardrobe and minor production items fit entirely within standard airline checked luggage.
Local sourcing requirements: 2 to 5 projectors, 1 headset microphone linked to the main PA system (including soundtrack output), and portable folding museum chairs.
Sound & Light: Host venue to provide a standard PA system for the rock soundtrack and a basic, warm lighting rig (detailed plot provided in the full rider).
For international booking, touring enquiries, and full technical riders, please contact us directly:
Contact & Booking
E-mail: suacompanhiateatro@gmail.com
Telephone / WhatsApp: +55 11 987726606


A comedy drama and physical theatre to dismantle the rigid 'box of men' and break the cycle of generational trauma.
How would Franz Kafka’s raw, autobiographical letter to his father be rewritten today, more than 100 years later?
The Blurb
An actor is surrounded by numerous boxes of various shapes. Unearthing fragments of a life, the performer rewrites Franz Kafka’s famous 1919 letter to multiple recipients: their own father and the patriarchy itself. Directed by award-winning researcher Silvana Garcia, this physical solo transposes the text into our contemporary reality, with its premiere season 2026/2027. Driven by sociological research from the podcast Almasculina (Male Soul) by project founder Paulo Azevedo, this show officially completes The Solo Trilogy, which began in 2014, exposing how patriarchal dogmas destroy men from within and transforming the audience into a partner of the scene.
TECHNICAL & TOURING SPECS
Language Options: Performed directly in English OR performed in Portuguese with pre-programmed English surtitles.

Genre: Theatre.
Running Time: Approx. 60 minutes (No intermission).
Travelling Team: 4 people (1 Performer/Director, 1 Technical Director/Stage Manager, 1 Company Manager, and 1 Sound Operator).
Venue Compatibility: Designed for standard proscenium stages, black boxes, and flexible alternative spaces.
Freight & Set: Zero heavy international freight. The stage design is simple and can be fully produced or sourced locally by the host venue. All wardrobe and minor props fit within standard airline checked luggage.
Local sourcing requirements: Cardboard boxes of various shapes and sizes (sourced or assembled locally).
Sound & Light: Host venue to provide a standard PA system for the rock soundtrack and a basic, warm lighting rig (detailed plot provided in the full rider).
For international booking, touring enquiries, and full technical riders, please contact us directly:
Contact & Booking
E-mail: suacompanhiateatro@gmail.com
Telephone / WhatsApp: +55 11 987726606
Awards, Grants & Recognition
The work of Suacompanhia is rooted in the 25-year career of its founder, Paulo Azevedo, across theatre and film, and his background with major Brazilian collectives. Supported by prestigious national awards and state culture grants, the company delivers recognized artistic excellence to the international stage.
-
Edinburgh Festival Fringe 2026 International Mission: Selected delegate by CreativeSP—the premium internationalisation program for the creative economy run by the São Paulo State Secretariat for Culture, Economy and Creative Industries in partnership with InvestSP (São Paulo's Investment Promotion Agency).
-
Prêmio Funarte de Teatro Myriam Muniz: One of Brazil’s most prestigious national theatre awards (Awarded to Heroes).
-
Sesc Rio de Janeiro Pulsar Award: A major national performing arts grant for circulation and outstanding programming (Awarded to Heroes).
-
ProAC São Paulo Dramaturgia (State Culture Grant for Playwriting): The premium state funding for original playwriting (Awarded to Passe-partout).
-
ProAC Expresso LAB São Paulo Grants: Cultural awards for hybrid performance research during the global pandemic (Awarded to Heroes and Passe-partout).
"An internationally acclaimed, award-winning actor with a compelling artistic reach."
CinEuphoria Awards Review
"An award-nominated, powerful presence on stage, recognized for his exceptional acting depth."
Cultural Press Awards Selection
★★★★★ "A standout performance... completely flawless in his delivery."
CineCrítica

Master Class "The Actor and the Ideas"
Presented by artist and director Paulo Azevedo, founder of Suacompanhia, this 30-minute masterclass explores how to transform raw concepts into viable theatrical projects. The session reflects on the artist's role in building a scenic discourse connected to the urgent questions of our time.
Using behind-the-scenes footage and creative testimonials, the video maps out practical pathways for artists to develop and finance their proposals, focusing on three core repertoire productions: HEROES, PASSE-PARTOUT, and A(R)MAR.
Direction, Script, Presentation, and Editing: Paulo Azevedo.
Director of Photography and Camera: Camila Picolo.

Contact & Booking
For international booking, touring enquiries, and full technical riders, please contact us directly:
E-mail: suacompanhiateatro@gmail.com
Telephone / WhatsApp: +55 11 987726606




























